Office For Imaginary Architectures
The root image need not be used only to mean representation (in the sense of one thing referring to something other than itself). To re-present can be defined as the shift in referential frames of the viewer from the space of events to the space of statements or vice versa. Imagining (as opposed to imaging) is not a pictorial preoccupation. Imagination is a projection, the exteriorizing of ideas about nature of things seen. It re-produces that which is initially without product. Mel Bochner 1970
terça-feira, 29 de janeiro de 2013
AA DRL CollapseCollide
(as a reference)
AA DRL. CollapseCollide
Material research with magnets and ferrofluid with glue where one material acts as the carrier of another material.
sábado, 3 de dezembro de 2011
One Month Fungi MicroCityScape
domingo, 6 de março de 2011
Chernobyl Funghi

http://www.cosmosmagazine.com/features/print/2095/silent-spring
"[...] on 26 April 1986, reactor No 4 at the Chernobyl Nuclear Power Plant, in Ukraine, blew apart, spewing radioactive dust and debris far and wide.
Ever since, a 30 km 'exclusion zone' has existed around the contaminated site, accessible to those with special clearance only. It's quite easy, then, to conjure an apocalyptic vision of the area; to imagine an eerily deserted wasteland, utterly devoid of life.
But the truth is quite the opposite. The exclusion zone is teeming with wildlife of all shapes and sizes, flourishing unhindered by human interference and seemingly unfazed by the ever-present radiation. Most remarkable, however, is not the life buzzing around the site, but what's blooming inside the perilous depths of the reactor..."
Adventures in Synthetic Biology

http://www.nature.com/nature/comics/syntheticbiologycomic/
COMIC 1. Adventures in Synthetic Biology
This comic appeared in the following article
Foundations for engineering biology p449
Story: Drew Endy, Isadora Deese & The MIT Synthetic Biology Working Group
Art: Chuck Wadey, www.chuckwadey.com
Nature 438, 449 - 453 (24 November 2005)
doi:10.1038/nature04342
Comic 1
Title: Adventures in Synthetic Biology
Story: Drew Endy, Isadora Deese, & The MIT Synthetic Biology Working Group
Illustrator: Chuck Wadey -- www.chuckwadey.com
Chapter 1 - Programming DNA
http://www.nature.com/nature/comics/syntheticbiologycomic/comic_text.html
sexta-feira, 28 de janeiro de 2011
AVATAR

http://www.bartlett.ucl.ac.uk/otherhostedsites/avatar/intro.html
The Advanced Virtual and Technological Architecture Research Laboratory was founded in September 2004 at the Bartlett School of Architecture, University College London. By 2004 many teachers and students at the Bartlett were working with some aspects of virtuality but the full scope of the research was often contained within the hermetic unit system. AVATAR is conceived as a cross unit research group and agenda that explores all manner of digital and visceral terrain, its augmentation and symbiosis. AVATAR also has a dedicated Masters Programme for students. Over recent years AVATAR has grown into an international research collaborative centre. It attracts students from around the world and a critical mix of cultural, aesthetic and social agendas are encouraged.
AVATAR is fundamentally interested in research concerning the impact of advanced technology on architectural design, however it also contributes to discussion on issues such as aesthetics, philosophy and cybernetics.
Technologically, AVATAR concerns itself with virtuality (exploring fully immersed, mixed and augmented environments); Time based new media (film, video and film theory), Nano and bio technology (micro landscapes and architecture, ethics, sustainability and ecology) including reflexive environments and cybernetic systems.
Philosophically and artistically, AVATAR is convinced that the new technologies prompt a re-evaluation of Surrealist spatial protocols and tactics. Also it believes that Alfred Jarry's proto- surrealist poetic pseudo science of 'Pataphysics and its idea of the 'Clinamen"- the swerve (chance) has great import on what we do. The choreography of digitally enabled chance allows us to create architecture of blossoming possibility where events are fleeting, exceptional and particular.
Neil Spiller:
http://www.bartlett.ucl.ac.uk/otherhostedsites/avatar/spiller.html
Rachel Armstrong:
http://www.bartlett.ucl.ac.uk/people/A_armstrong_rachel.htm
rachel armstrong

Rachel is currently collaborating with international scientists and architects to explore cutting-edge, sustainable technologies by developing metabolic materials in an experimental setting. These materials possess some of the properties of living systems and couple artificial structures to natural ones in the anticipation that our buildings will undergo an 'origins of life' style transition from inert to living matter and become part of the biosphere. By generating metabolic materials it is hoped that cities will be able to replace the energy they draw from the environment, respond to the needs of their populations and eventually become regarded as alive in the same way that we think about parks or gardens. Since metabolic materials are made from terrestrial chemistry they are not exclusive to First World countries and have the potential to transform urban environments worldwide.
http://www.rachelarmstrong.me/
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